Omaha Community Playhouse is committed to improving the current state of diverse, inclusive casting.
HAWKS MAINSTAGE & HOWARD DREW 2017–2018 AUDITION INFORMATION
SHAKESPEARE IN LOVE
Performs in the Hawks Mainstage Theatre
Directed by Jeff Horger
Auditions: Monday, February 12 at 7:00 pm and Tuesday, February 13 at 7:00 pm
Rehearsals begin: February 26, 2018
Performance Dates: April 12-May 13, 2018
NOTES ABOUT AUDITIONING
WHAT TO PREPARE: All actors will be asked to perform a Shakespearean
monologue or sonnet of their choosing. The piece should be no more than 1
minute in length and can be comedic, dramatic, or romantic. Actors are
encouraged to prepare the piece beforehand, but memorization is not a
requirement. There will be a small selection of Shakespearean monologues
available at auditions for those who are not able to prepare their own
MUSIC: Auditions will contain a short dance routine and a song will be
taught to the group. Actors do not need to prepare any music beforehand
and although dressing for movement is advised, dance attire is not
DIALECTS: The characters in this play range from upper class nobles to
lower class scoundrels, and from accomplished stage actors to back alley
gangsters. All of them, however, have some sort of British dialect.
Actors will be asked to demonstrate a British dialect at auditions.
Perfection is not expected and casting is not dependent on the
successful execution of said dialect, but we need to know what we’re
dealing with from the start.
WORKING WITH ANIMALS: This production will feature a dog. Although not every actor in the production will have specific scenes with the dog, all actors will interact with the dog over the course of the rehearsal process.
VIOLA DE LESSUPS (mid 20s – mid 30s, any race) A young romantic isolated
by her own nobility from the art she so desperately craves. She adores
poetry and is in love with the idea of love. Passionate, confident, and
full of life.
NURSE (late 20s – mid 50s, any race) Viola’s caretaker. Frustrated by
Viola’s tendency to buck societal trends, but devoutly loyal to her
QUEEN ELIZABETH I (mid 30s – early 60s, any race) The head of state
and the face of an entire nation. She enjoys the theatre, especially
when there’s a dog involved. She is wise and calculated, not necessarily
cold, but well aware of the societal structure that she not only
adheres to but represents.
JOHN WEBSTER (late teens – early 20s, any race) A young man drawn to the
theatre because of its potential for horrific gory scenes and bloody
battles. A trouble maker by nature and a pain in the neck in rehearsals.
A bit of a harmless psychopath. ALTHOUGH THIS CHARACTER IDENTIFIES AS MALE, THIS ROLE MAY BE PLAYED BY ANY GENDER.
ENSEMBLE – There are 12 ensemble tracks to be played by actors of different genders, all of whom will
play multiple roles in the production. Artistic and functional in their
responsibilities, these are the individuals that make this show work.
WILL SHAKESPEARE (late 20s – mid 30s, any race) A poet trying to leave
his artistic mark on the world. He is cunning, intelligent, sexual, and
anything but confident.
KIT MARLOWE (late 20s – mid 40s, any race) A well respected
playwright, although he needs to keep working to pay the bills. A little
older, a little wiser, and a lot more confident than Will, he is both
his mentor and his closest friend.
NED ALLEYN (late 20s – late 30s, any race) One of the most popular actors
of the day. A leading man who has drank his own Kool-Aid 100%. Although
seemingly egotistical, selfish, and opinionated at a glance, he takes
his craft very seriously and has the deepest respect for committed
RICHARD BURBAGE (early 30s – mid 40s, any race) An accomplished stage
actor who relishes his fame above all else. He is melodramatic,
completely over the top, but undeniably talented. Pompous but likeable.
He has earned enough success as a performer that he owns and operates
his own theater.
LORD WESSEX (late 20s – mid 40s, any race) A man with a title but no
money, a fact that fills him with frustration and insecurity. He has
been trained in the noble arts of etiquette and swordplay, but is bad
with words and worse with people. An unlikeable prig.
HENSLOWE (early 30s – late 50s, any race) Owner of The Rose Theater. He
is a business man at heart, more concerned with turning a profit than
creating fine art. He doesn’t understand the intricacies of theatrical
structure, but he knows what he likes: broad comedy. Calling him an
idiot is an overstatement, but not a huge one.
FENNYMAN (mid 30s – late 50s, any race) A ruthless loan shark who
finances theatre plays in return for a piece of the profit. He enjoys
the theatre but knows very little about it. He is a bit of a gangster,
unafraid to get his hands dirty when his clients are unable to repay
TILNEY (early 30s – mid 50s, any race) The Master of Revels for the
English crown. Although his chief responsibility is to oversee royal
festivities, he is concerned with stage censorship, which makes him both
respected and feared by professional theatre artists, especially those
seeking to create new works.
SINGIN’ IN THE RAIN
Video audition submissions will be accepted until Friday, February 2, 2018
Casting actors 16 years old and up, all ethnicities and genders who love to sing and dance!
A flapper socialite and actress on her ninth marriage, she is Lina's friend and informant.
A successful, magnanimous, film producer. He leads the other characters in creating a new movie musical.
A famous film director with theatrical mannerisms and tendencies. Frequently frazzled and works with Lina and Don.
A wacky and playful on-set pianist for silent films. Don's best friend and former dance partner.
A slow-witted silent film diva with a big personality and a harshly unpleasant voice. She is Don's regular co-star.
A suave Hollywood actor and dancer. Cosmo's best friend and Lina's regular co-star.
An excitable film agent bordering on manic. He works for Simpson.
An earnest, talented actress with whit and charm. She falls in love with Don and performs as Lina's speaking and singing voice.
The lead tenor in Monumental Pictures' first movie musical.
Lina's vocal coach. She is the "mother hen" type with caring affection for the younger performers.
Movie Stars, Film Crew, Actors
Performs in the Howard Drew Theatre
Directed by Denise Chapman
Auditions: Monday, February 26 at 7:00 pm and Tuesday, February 27, 2018 at 7:00 pm
Rehearsals begin: March 25, 2018
Performance Dates: May 4-27, 2018
: An Olivier Award-winning play of historical fiction, The Mountaintop imagines the final night in the life of Dr. Martin Luther King, Jr. After giving his speech, “The Mountaintop,” Dr. King returns to his room at the Lorraine Motel. When a mysterious woman with a secret agenda pays a visit to Dr. King, the resulting confrontation imaginatively explores destiny, legacy and mortality.
For additional information on auditions please call , ext. 110
Auditioning for a Musical
Those auditioning for a musical are asked to come with a prepared song (16-32 bars) and take part in a dance audition. An accompanist is provided.
Auditioning for a Play
Those auditioning for a play will be asked to read from the script provided at auditions.
The Omaha Community Playhouse no long offers script check-out. If you would like to know more about a show prior to auditions enter the title into a search engine for reviews, information about the author, video clips, etc.
The Howard and Rhonda Hawks Mainstage Theatre performances are Wednesday through Sunday. The Howard Drew Theatre performs Thursday through Sunday. Productions run from four to six weeks. Each actor in a production receives four complimentary tickets for the first weekend of the show. OCP offers two auditions dates for every production. You only need to attend ONE of the audition dates to be considered for the production.
For additional information on auditions please call 402-553-4890, ext. 110.
*Audition dates are subject to change